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_desire.webp "The every day realities of some people who identify as asexual, creating small ruptures in the homogenising culture of hyper and heteronormative sexuality.n nDirected by Garima Kaul | 2019nProducer and Commissioning Editor: Rajiv MehrotrannGarima Kaul is a filmmaker and writer who started her filmmaking journey with a documentary on sanitation workers in Bombay, winning her many accolades. Gender identity, politics and sexual expression have been the focal point of her work. She has made a film")
_paisa-se-na-pyar-se-paisa-sena-pyar-se-jharkhand-ki-ladki-patati-hai-sirf-matar-se-youtube-video.webp "JSD BABU JPG")
⏲ 16 seconds 👁 183
_new-whatsapp-status-video-sad-song.webp "JSD BABU JPG")
_where-has-a-part-of-apollo-12-been-for-33-years.webp "Back in 1969, Apollo 12 made its historic moon landing. But get this – 33 years later, a part of it mysteriously vanished! Turns out, astronaut Charles \")
_mode-of-whatsapp-status-shayari-video-sad-song-shayari-status-jsd-babu.webp-mood-off.webp "JSD BABU JPG")
_lok-samajhte-hain-ki-main-ghamandi-ho-gaya-hu-whatsapp-status-sad-song-shayari-status-video.webp "JSD BABU JPG")
⏲ 26 seconds 👁 79
_39i39-full-movie-4k---chiyaan-vikram-amy-jackson---shankar---action-amp-love-story.webp "I starring Chiyaan Vikram, Amy Jackson, Santhanam, Suresh Gopi, Ramkumar, Upen Patel, Powerstar Srinivasan, Yogi Babu and Ojas Rajani.<br/>I, the film, has three distinct acts. The first is of Lingesan (Vikram) obsessing over supermodel Diya (Amy Jackson), who smiles down at him from billboards and through the television and in newspapers. His fascination for her results in some bizarre manifestations like the song sequence where his handset and motorcycle (and even a fish in a supermarket) take Diya’s form.<br/><br/>When he is not being just a tad bit leery, Lingesan trains at Arnold Gym (very subtle nod to his idol) to prepare for the Mr. Tamil competition. When a bulky rival tries to scare him away, Lingesan challenges him to beat him at his game and not ask him to back away like a woman. (Bombast dialogue = 1. Notions of gender = 0). The competition plays with the standard masala humourthroughsongs like ‘Made in India’ and ‘Marhaba’to jolt you out of the staleness-induced stupor.<br/><br/><br/>There is a fight scene after that with a few muscled competitors and the hero, because winning graciously is a lost art on them. After punches and bodies fly thick through the air, there is a moment when the men regroup on the hero to jiggle their moobs at him. That is only beginning of the cringe-worthy scenes that are to follow.<br/>Meanwhile, Diya is constantly badgered by her co-model John (Upen Patel) for a date. She does not comply and he uses his clout to remove her from key assignments. Act 2 has Diya grooming Lingesan into Lee, a more enticing professional counterpart. Here, the makers throw in a transgender makeup artist (Ojas M Rajani), the stereotyping making the most hardened viewer recoil. Act 3 features a gruesome sabotage of the hero’s appearance, which morphs into a revenge drama. Lingesan, seething, disfigured and vengeful, will give it as good as he has gotten.<br/><br/><br/>I may not have an original concept, but a less tiresome execution could have worked immensely in its favour. The beginning may seem made with the quintessential flair of a standard potboiler, but the sequences shot in China are truly breathtaking. This happens in Act 2,when the proceedings are still light and Diya-Lee team up for a perfume advertisement. A fight scene shot on the rooftops, with murderous cyclists, is the only one that stands out in the entire film.<br/>Despite being a love story, the romance angle is uninspired. Diya does not seem drawn to Lingesan, except for his machismo.<br/><br/><br/>The dramatic scenes in the latter half of the film are heavy-handed and replete with ham moments that could give a butcher a complex. Lavishly shot song sequences to dot the narrative, end up stretching the film’s running time and the audience’s patience. Despite some stunning visuals, the songs offer little by way of melody.<br/><br/>Even Santhanam, as Lingesan’s friend, can do little to lighten up the dull story. The film is anchored by a good performance from Vikram in Quasimodo mode (that’s some great makeup there), which")
_mood-off-whatsapp-status-sad-song-shayari-status-video-jsd-babu.webp-sad-song-shayari.webp "JSD BABU JPG")
⏲ 10 seconds 👁 45
_koi-to-aisi-baat-karo-whatsapp-status-sad-song-shayari-love-story-sad-status.webp "JSD BABU JPG")
_legacy-of-a-painter.webp "Award winner at Thrissur, the largely untold story of Jangarh Singh Shyam - the genius Gond Pradhan artist from central India.nnDirected by Nutan Manmohan | 2018nProducer and Commissioning Editor: Rajiv Mehrotra nnNutan Manmohan began as a journalist with TV Today’s Newstrack and was Vice President, News and Current Affairs, Star TV, followed by India Bureau Chief for Focus Asia Star World. Her children’s series Zara Hat Ke received the Best Children’s Programme Award at the Pinnacle TV Aw")
_single-attitude-shayari-status-video-new-shayari-video-jsd-babu.webp-single-attitude.webp "JSD BABU JPG")
⏲ 20 seconds 👁 11
_mood-off-dialogue-statuswhatsapp-status-video-sad-song-shayari-jsd-babu.webp-dialogue.webp "JSD BABU JPG")
⏲ 34 seconds 👁 18
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